Reactions to the Bollywood film Dhurandhar have sparked intense debate across India and Pakistan. While some viewers praised its scale and technical execution, many others felt the glossy production masked a deeper agenda — one that portrays Pakistan negatively under the banner of entertainment.
Imran Abbas Questions the Intent Behind the Film
On Wednesday, Pakistani actor Imran Abbas openly criticized the filmmakers, calling out what he described as a “dangerous misuse of cinema.” Taking to Instagram, Abbas argued that films should never become a medium for spreading hatred, hostility, or division.
According to him, cinema’s real power lies in its ability to uplift hearts, awaken empathy, and build bridges between people. “Art is meant to heal, not poison minds,” he implied, warning that hatred wrapped in artistic expression may earn applause and profits but ultimately leaves long-lasting emotional scars.
‘Art Carries Responsibility,’ Says Abbas
Drawing from his own experience working in Bollywood, Imran Abbas highlighted the lasting impact of on-screen narratives. He stressed that what audiences repeatedly see in films slowly becomes normalized within society’s collective mindset.
For Abbas, storytelling is not neutral — it shapes perceptions. That’s why he believes artists and filmmakers must act responsibly, especially when their work influences millions across borders.
Strong Words for Pakistani Viewers Praising the Film
In a separate Facebook post, Abbas expressed disappointment toward Pakistanis who watched and praised Dhurandhar. He labeled such reactions as “deeply shameful,” stating that if a similar film had targeted India, Indian society would likely have united in condemnation.
He went further, saying the film “slaps us in the face and calls it entertainment,” adding that supporting it is not open-mindedness but beghairati — a loss of dignity and self-respect.
From Shared Culture to Growing Division
Imran Abbas’ remarks also revive memories of a time when shared music, drama, and art — visible in platforms like Coke Studio — brought Indians and Pakistanis together. Today, that spirit feels distant.
In an era where nationalism increasingly dominates mainstream narratives, Abbas’ message is clear: art should unite humanity, not divide it.
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