Member of the National Assembly (MNA) Sharmila Faruqi has praised Saba Qamar’s latest drama, Pamaal, describing it as a bold and much-needed representation of the silent suffering many women endure behind closed doors. The drama, currently creating waves in Pakistan’s entertainment industry, sheds light on emotional and psychological abuse—a form of violence rarely acknowledged in South Asian households.
Highlighting the Unseen Scars of Abuse
Faruqi lauded Pamaal for fearlessly addressing the “invisible wounds” that women face within marriages. She noted that while society openly condemns physical violence, it often ignores the mental manipulation and emotional control that can destroy a woman’s confidence and self-worth. “No woman should be expected to surrender her voice, identity, or dignity to satisfy a partner’s insecurity,” Faruqi remarked, urging for greater awareness of non-physical abuse.
Saba Qamar’s Stellar Portrayal in Pamaal
In Pamaal, Saba Qamar plays Malika, a woman who leaves her father’s home to marry for love, only to discover that her husband, Raza (played by Usman Mukhtar), uses affection as a tool of control. The story beautifully captures how love can be twisted into possession and how “care” can become a weapon of coercion.
Qamar’s powerful performance has been widely praised for its emotional depth and realism, reflecting the struggles of countless women who suffer silently within relationships masked by social respectability.
A Drama Sparking Social Reflection
Through its raw storytelling and honest dialogue, Pamaal challenges cultural norms that glorify a woman’s endurance while ignoring her pain. Sharmila Faruqi emphasized that dramas like Pamaal play a crucial role in breaking societal taboos and encouraging conversations around mental health and women’s empowerment.
By shining a light on these hidden forms of abuse, Pamaal not only entertains but educates—urging viewers to see beyond the visible scars and recognize the deep emotional toll of toxic relationships.